Story
I started my career with Teach For America as a band director in Louisiana. TFA sends recent graduates to districts that are under-resourced and cannot fully staff their schools. TFA has become the “it” placement for college grads, but back then there was a feeling that we were on the frontier of something big.
The school I taught at had class pictures in the lobby. The school pictures were all-white until 1971. Then it was abruptly all black. This is when I learned that Brown vs. Board of Education did not have an immediate impact in schools in the South.
The neighboring high school had been the segregated school for African-Americans. When desegregation was ordered all the white students fled to the catholic schools. By the time I arrived the schools were largely desegregated, as was my band.
The neighboring school had a very strong marching band. It was a show band, in the FAMU or Grambling style. This meant dancing on the field.
The band I had inherited was NOT a show band. It marched with straight lines, did not dance, etc… Our band had maintained its focus since the 1960’s.
There was intense interest when I arrived about what style of marching I would use. I didn’t quite get it at the time. I wrote drill that maintained the traditional corp style. However, there was a moment in the middle number that I saw an opportunity.
It was only a shuffle step. Four steps to the left, four steps back to the right. But it was definitely dancing. The crowd went wild. I maintained the “dignity” of the corp style, but made huge inroads with all members of the community by recognizing the diversity of the community.
And really, I had no clue what I was doing. I was 23.
I wonder how much we lose by not knowing the “backstory” of our community. Many of us teach in very homogeneous communities, some teach in communities “in transition”, and some teach in classrooms with 25 kids and 25 languages.
Does our community drive our curriculum or do we? Do we really understand how “minor” choices can have huge impacts?
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